Florence Trust

Recent paintings have introduced a dialogue whereby narrative links and elliptical
resonances enter in and out of responses to subject matter and material. Theoretical appropriation towards a singular image is contested by this approach, neither is there an immediate window into a larger world. What is left is an anomaly which refers to contrast and the dividing line in degrees of separation. I have now begun a method amplifying the dialogue of scale and narrative, supplemented in a series of poetic visual metonyms.